5: Man on Earth
Much has been written about the dimensions of various ancient sites around the world but none more so than those of Stonehenge and the Great Pyramid at Giza in Egypt. It has been observed that the Great Pyramid is aligned to the four cardinal points, each of the four faces pointing to true North, East, South and West. This alignment establishes the slope of the faces, as the southern face was perpendicular to the Sun at midday on the Winter Solstice (December 21st in the northern hemisphere) when the Great Pyramid was built. In order to meet an objective which transcended the existence of matter, it was necessary to relate the dimensions of the structure to those of the Earth, in particular the circumference and the radius.
Stonehenge is built along similar lines, relating the inner and outer diameters of the Sarsen circle to the same Earth measurements. Here, however, other qualities were built into the site, using sound and harmony, and this was particularly relevant with the Trilithon horseshoe. These trilithons are stone forms of the Greek letter 'pi' which is used to express the constant relationship between the diameter of a circle and its circumference. In ancient times it was the volume of a sphere which was more relevant, and 'pi' then represented a relationship between the height of a stone and the note achieved in the 12-note octave of sound, expressed as a sphere of sound.
Other ancient sites around the world, which were of the 'open' design like Stonehenge, rather than 'closed' like the Pyramids and the Sphinx, had the same purpose: linking the Earth's natural energy, 'electricity', with the other energies of light and sound. Their dimensions, again, related directly to those of the Earth in order to achieve their hitherto obscure objective.
Energy which is 'electrical' in form has a 'positive' and 'negative' creating a potential difference. This allows it to flow or move. No other energy has this characteristic. This is not kinetic energy for that is energy gained through motion. This is energy which is itself moving.
The Pyramids were originally covered in polished marble on each of their faces, and each building was topped by a quartz crystal, it too copying the relative dimensions of the Pyramid in order to release the immense power.
Sound is fundamental to the existence of the material world as we see it. In the eighteenth century, the German physicist Ernst Chladni found that by playing a violin near a sand-covered disk, the sand formed different geometric shapes. It is these shapes that are relevant to sacred geometry, so prevalent in the many ancient sites around the world and which create a harmony when in the appropriate design.
In music, although a unit of notes in a key is called an octave, it only contains seven full notes, the eighth being the first note of the next higher key. However, the full octave contains twelve notes, seven full and five half notes, and study of the piano keyboard shows that there is one half-note missing which would make thirteen in the octave.
The thirteenth note is special and is the key to the harmony. It is the thirteenth at the stone circle, the obelisk, the master note. The twelve form the harmony which is the thirteenth note.
So is there a separate thirteenth note or is it made up of the other twelve?
It is both. Play all twelve notes and you get a sound which you think could be represented by a single note. But getting that single note seems impossible because it is formed by a harmony. Therefore the thirteenth note is the harmony.
It is thought that sound is vibration, but it is not. The vibration is an effect and not the cause. The cause is electricity. We have learnt how to repeat the effect of vibration in order to create sound without learning the cause. It may be thought that a woodwind instrument creates noise by vibrating the air in the tube, but this is not so. Yes, the air vibrates and we hear the vibration in our ears, but why does the air vibrate? It hits the electrical harmony of the matter of the tube which emits the energy and causes the air to vibrate.
The musical instrument is the catalyst for the emission of the energy from the player. The player finds the notes and the harmonies in the instrument which are in harmony with himself. By playing these, the total harmony between player and instrument is found causing the energy to be released. It is this energy which is perceived by the 'audience'. If the harmony is also found in any of the audience then the energy release can be very strong. Remember that the chords are harmonies themselves, in the instrument, and these harmonies are a deep energy which find their harmony in the player. Since the player 'decides' the notes and harmonies to be played, the player finds the notes and harmonies which are in harmony with himself. This is the 'music' which he 'likes'. Remember also that the notes played one after each other are like a language, one word after each other, and this relates to series of sounds, 'words', which are used for special healing and for opening locked doors and so on.
Harmonic vibration to an excessive level causes an object to shatter. This is due to the electrical energy in the note finding a harmony with the electrical structure of the object. The shattered pieces then have a different harmonic note, which if found, will cause them again to shatter, the resultant pieces then having a further harmonic note, and so on. Use of ultrasonic harmonic vibration is the basis of psychokinesis, the ability to move objects without physical effort. If you have a vibrating object close to another and the vibrations of the first meet a harmony with the second, then the energy of the first is taken up by the second. This can cause a change of state in the second allowing it to move. This energy is not that which binds the matter together, but of much deeper significance. A change of state at this level causes things beyond your imagination.
The range of sound that can be heard by the human ear is thought to go from 15 cycles per second to 20,000 cycles per second. Doubling the frequency of a vibration (note) gives a note one octave higher so that the audible range covers ten octaves. To understand this in practical terms, the piano has seven octaves ranging from about 30 cycles per second to 4000 cycles per second. The maximum audible range actually covers twelve octaves.
There is an energy in music which is not sound. We appreciate only one quality generally, and that is the sound emission. There is another energy founded upon the harmony. When the harmony is 'pure', as we would understand it, then we 'appreciate' this other energy. It gets right to the basis of our existence. It finds harmony in us, each of us being one of the twelve. The twelve harmonies in us cross all twelve of the harmonies audible to us. It's as though you need 12 x 12 (12 octaves, 12 notes in each) in order to create the twelve harmonies. The harmony in music is neither in a single note nor in one octave. It is across all twelve octaves. The musical harmony can be created with less notes because we are prepared to accept an incomplete harmony, since the complete one has never been heard. These incomplete harmonies are what make good musicians 'great' as we perceive them.
When a note is played on the piano, do we all hear the same thing? We know that we see the same things because we can feel and describe objects. But sound is intangible. Our ears may pick up the same vibrations but our brains may perceive something different. Maybe this relates to the harmonies. If you have the same harmony, same beta waves in the brain, then you 'hear' the same thing. The same principle applies to colour.
So how do we find our own harmony in music?
The construction of music, with its harmonies, relates to the harmonies in man because they have the same source, the cosmos - the Sun and the Zodiac and other cosmic influences. But this is confused thinking. Man's energy is emitted through the instrument, and that is what you hear, in different forms for different instruments. The structure of music is like that of your harmony, and that is much more complicated. Yes, it does have the same source - the cosmos, it could be said, but the reason, the purpose, is complex. It's to do with levitation and matter.
These twelve harmonies, or notes, of mankind are basic to our physical existence on this planet but in recent times this area has become misunderstood through the lack of comprehension of what is behind astrology. To understand this, it is necessary to examine a little more closely the quality of the energies acting on and in the Earth. Although the pyramid has four visible sides, the fifth 'side', the base, must not be ignored, and it is this five-sided solid edifice of specific geometry, dimensions and alignment, which allows it to interact with time and the three dimensions of matter. This quality of five is basic to the electro-magnetic energy in the Earth, and it is why musical sounds created with five notes are called 'Earthy'. The electrical energy from the Sun, the white light, can be easily split into seven elemental colours, which are readily seen in the rainbow. This quality of seven distinguishes this specific energy, and with the five on Earth gives the harmony of existence, that we know, of twelve. This is matched by a similar harmony in sound which again has a quality of twelve which is identified by the twelve note octave. It is these multiple energies with a quality of twelve which begin, and only begin, to explain the existence of matter.
The energy from the Sun takes many different forms, but one of its qualities is directly affected by energies from other star systems in the galaxy which are in line with the Earth and the Sun. Clearly those star systems have a direct effect on the Earth when the Sun is not in direct alignment, but because of the distances involved, their effect is very weak. Their distance to our Sun however is considerably less, and the Sun acts as an 'amplifier' for those energies, providing the Earth with twelve different qualities of this additional energy form. It is already known that the position of The Pleiades behind the Sun at sunrise on 1st May causes the St. Michael energy line to alter its quality from five to twelve, and for the reverse to happen when The Pleiades are rising as the Sun sets on 31st October, the ancient end of year. During the solar year the quality of that additional form of energy goes through twelve changes. One would have thought that these qualities would alter over thousands of years because what is beyond the Sun varies according to the changes in the galaxy, movement of systems and stars. However, it must be remembered that not much change occurs within the lifetime memory of a person, and therefore the pattern, year in, year out, remains the same during the solar year. So the astrological pattern for each of the 'star' signs, the twelve qualities of the energy, does change over a very long period, but once it has established, only gradually evolves over a century.
The strength of the electro-magnetic energy in the Earth's crust, typified by the elements of the St. Michael line, is affected by the motions of stars and planets both in the solar system and outside it, and reaches extremes at the solstices because of the gravitational effect of the Sun on the Earth's crust. The aforementioned quality of this energy must not be confused with the strength. As has already been discussed, we know that large stones are able to produce sound by reaching a harmony with the surrounding electrical and magnetic energy in the ground and in the atmosphere. All igneous rock, because of the presence of quartz, contains a natural electro-magnetic energy. However, stones of this rock do not have a note of definable quality until they have been shaped or 'dressed' by a human being, and even then, only when they have been struck a minimum number of times according to their weight. This causes the stone to contain the same harmony as the person performing the shaping process, the harmony being one of the twelve across the twelve octaves already discussed. It is this quality which identifies individual stones in stone circles and in other geometric arrangements, and why circles contain a ring of twelve stones or a multiple of twelve, each being one of the twelve harmonies. The 'thirteenth' stone, the central obelisk, was prepared by all twelve masons, giving it the full harmony, that elusive thirteenth note in the octave. So the twelve different qualities of 'astrological' energy in the solar year give all life on Earth different definable qualities at the moment of physical conception. It is this quality which is then placed in the stone when it is 'dressed'.
Ancient sites were specifically located on nodes of strong Earth electro-magnetic energy in order to provide sufficient basic energy. To use this, it was necessary to split the two elements of each energy line, one part (with quality of five) being directed around the stone circle, while the other part (with quality of seven) was allowed to follow its natural course to the node where the central obelisk was located. This, it will be remembered, had seven bands of energy above ground. It would be a mistake to label these elements 'positive' and 'negative' as it would give them entirely the wrong meaning, but they are more akin to the positive and negative wires in an electrical circuit as their purpose was similar. They also draw a similarity with the twelve notes in the octave on the piano as seven are marked white and five are black. Male and female are all part of this positive and negative, essential elements to make the whole.
Much has been written about the dimensions of various ancient sites around the world but none more so than those of Stonehenge and the Great Pyramid at Giza in Egypt. It has been observed that the Great Pyramid is aligned to the four cardinal points, each of the four faces pointing to true North, East, South and West. This alignment establishes the slope of the faces, as the southern face was perpendicular to the Sun at midday on the Winter Solstice (December 21st in the northern hemisphere) when the Great Pyramid was built. In order to meet an objective which transcended the existence of matter, it was necessary to relate the dimensions of the structure to those of the Earth, in particular the circumference and the radius.
Stonehenge is built along similar lines, relating the inner and outer diameters of the Sarsen circle to the same Earth measurements. Here, however, other qualities were built into the site, using sound and harmony, and this was particularly relevant with the Trilithon horseshoe. These trilithons are stone forms of the Greek letter 'pi' which is used to express the constant relationship between the diameter of a circle and its circumference. In ancient times it was the volume of a sphere which was more relevant, and 'pi' then represented a relationship between the height of a stone and the note achieved in the 12-note octave of sound, expressed as a sphere of sound.
Other ancient sites around the world, which were of the 'open' design like Stonehenge, rather than 'closed' like the Pyramids and the Sphinx, had the same purpose: linking the Earth's natural energy, 'electricity', with the other energies of light and sound. Their dimensions, again, related directly to those of the Earth in order to achieve their hitherto obscure objective.
Energy which is 'electrical' in form has a 'positive' and 'negative' creating a potential difference. This allows it to flow or move. No other energy has this characteristic. This is not kinetic energy for that is energy gained through motion. This is energy which is itself moving.
The Pyramids were originally covered in polished marble on each of their faces, and each building was topped by a quartz crystal, it too copying the relative dimensions of the Pyramid in order to release the immense power.
Sound is fundamental to the existence of the material world as we see it. In the eighteenth century, the German physicist Ernst Chladni found that by playing a violin near a sand-covered disk, the sand formed different geometric shapes. It is these shapes that are relevant to sacred geometry, so prevalent in the many ancient sites around the world and which create a harmony when in the appropriate design.
In music, although a unit of notes in a key is called an octave, it only contains seven full notes, the eighth being the first note of the next higher key. However, the full octave contains twelve notes, seven full and five half notes, and study of the piano keyboard shows that there is one half-note missing which would make thirteen in the octave.
The thirteenth note is special and is the key to the harmony. It is the thirteenth at the stone circle, the obelisk, the master note. The twelve form the harmony which is the thirteenth note.
So is there a separate thirteenth note or is it made up of the other twelve?
It is both. Play all twelve notes and you get a sound which you think could be represented by a single note. But getting that single note seems impossible because it is formed by a harmony. Therefore the thirteenth note is the harmony.
It is thought that sound is vibration, but it is not. The vibration is an effect and not the cause. The cause is electricity. We have learnt how to repeat the effect of vibration in order to create sound without learning the cause. It may be thought that a woodwind instrument creates noise by vibrating the air in the tube, but this is not so. Yes, the air vibrates and we hear the vibration in our ears, but why does the air vibrate? It hits the electrical harmony of the matter of the tube which emits the energy and causes the air to vibrate.
The musical instrument is the catalyst for the emission of the energy from the player. The player finds the notes and the harmonies in the instrument which are in harmony with himself. By playing these, the total harmony between player and instrument is found causing the energy to be released. It is this energy which is perceived by the 'audience'. If the harmony is also found in any of the audience then the energy release can be very strong. Remember that the chords are harmonies themselves, in the instrument, and these harmonies are a deep energy which find their harmony in the player. Since the player 'decides' the notes and harmonies to be played, the player finds the notes and harmonies which are in harmony with himself. This is the 'music' which he 'likes'. Remember also that the notes played one after each other are like a language, one word after each other, and this relates to series of sounds, 'words', which are used for special healing and for opening locked doors and so on.
Harmonic vibration to an excessive level causes an object to shatter. This is due to the electrical energy in the note finding a harmony with the electrical structure of the object. The shattered pieces then have a different harmonic note, which if found, will cause them again to shatter, the resultant pieces then having a further harmonic note, and so on. Use of ultrasonic harmonic vibration is the basis of psychokinesis, the ability to move objects without physical effort. If you have a vibrating object close to another and the vibrations of the first meet a harmony with the second, then the energy of the first is taken up by the second. This can cause a change of state in the second allowing it to move. This energy is not that which binds the matter together, but of much deeper significance. A change of state at this level causes things beyond your imagination.
The range of sound that can be heard by the human ear is thought to go from 15 cycles per second to 20,000 cycles per second. Doubling the frequency of a vibration (note) gives a note one octave higher so that the audible range covers ten octaves. To understand this in practical terms, the piano has seven octaves ranging from about 30 cycles per second to 4000 cycles per second. The maximum audible range actually covers twelve octaves.
There is an energy in music which is not sound. We appreciate only one quality generally, and that is the sound emission. There is another energy founded upon the harmony. When the harmony is 'pure', as we would understand it, then we 'appreciate' this other energy. It gets right to the basis of our existence. It finds harmony in us, each of us being one of the twelve. The twelve harmonies in us cross all twelve of the harmonies audible to us. It's as though you need 12 x 12 (12 octaves, 12 notes in each) in order to create the twelve harmonies. The harmony in music is neither in a single note nor in one octave. It is across all twelve octaves. The musical harmony can be created with less notes because we are prepared to accept an incomplete harmony, since the complete one has never been heard. These incomplete harmonies are what make good musicians 'great' as we perceive them.
When a note is played on the piano, do we all hear the same thing? We know that we see the same things because we can feel and describe objects. But sound is intangible. Our ears may pick up the same vibrations but our brains may perceive something different. Maybe this relates to the harmonies. If you have the same harmony, same beta waves in the brain, then you 'hear' the same thing. The same principle applies to colour.
So how do we find our own harmony in music?
The construction of music, with its harmonies, relates to the harmonies in man because they have the same source, the cosmos - the Sun and the Zodiac and other cosmic influences. But this is confused thinking. Man's energy is emitted through the instrument, and that is what you hear, in different forms for different instruments. The structure of music is like that of your harmony, and that is much more complicated. Yes, it does have the same source - the cosmos, it could be said, but the reason, the purpose, is complex. It's to do with levitation and matter.
These twelve harmonies, or notes, of mankind are basic to our physical existence on this planet but in recent times this area has become misunderstood through the lack of comprehension of what is behind astrology. To understand this, it is necessary to examine a little more closely the quality of the energies acting on and in the Earth. Although the pyramid has four visible sides, the fifth 'side', the base, must not be ignored, and it is this five-sided solid edifice of specific geometry, dimensions and alignment, which allows it to interact with time and the three dimensions of matter. This quality of five is basic to the electro-magnetic energy in the Earth, and it is why musical sounds created with five notes are called 'Earthy'. The electrical energy from the Sun, the white light, can be easily split into seven elemental colours, which are readily seen in the rainbow. This quality of seven distinguishes this specific energy, and with the five on Earth gives the harmony of existence, that we know, of twelve. This is matched by a similar harmony in sound which again has a quality of twelve which is identified by the twelve note octave. It is these multiple energies with a quality of twelve which begin, and only begin, to explain the existence of matter.
The energy from the Sun takes many different forms, but one of its qualities is directly affected by energies from other star systems in the galaxy which are in line with the Earth and the Sun. Clearly those star systems have a direct effect on the Earth when the Sun is not in direct alignment, but because of the distances involved, their effect is very weak. Their distance to our Sun however is considerably less, and the Sun acts as an 'amplifier' for those energies, providing the Earth with twelve different qualities of this additional energy form. It is already known that the position of The Pleiades behind the Sun at sunrise on 1st May causes the St. Michael energy line to alter its quality from five to twelve, and for the reverse to happen when The Pleiades are rising as the Sun sets on 31st October, the ancient end of year. During the solar year the quality of that additional form of energy goes through twelve changes. One would have thought that these qualities would alter over thousands of years because what is beyond the Sun varies according to the changes in the galaxy, movement of systems and stars. However, it must be remembered that not much change occurs within the lifetime memory of a person, and therefore the pattern, year in, year out, remains the same during the solar year. So the astrological pattern for each of the 'star' signs, the twelve qualities of the energy, does change over a very long period, but once it has established, only gradually evolves over a century.
The strength of the electro-magnetic energy in the Earth's crust, typified by the elements of the St. Michael line, is affected by the motions of stars and planets both in the solar system and outside it, and reaches extremes at the solstices because of the gravitational effect of the Sun on the Earth's crust. The aforementioned quality of this energy must not be confused with the strength. As has already been discussed, we know that large stones are able to produce sound by reaching a harmony with the surrounding electrical and magnetic energy in the ground and in the atmosphere. All igneous rock, because of the presence of quartz, contains a natural electro-magnetic energy. However, stones of this rock do not have a note of definable quality until they have been shaped or 'dressed' by a human being, and even then, only when they have been struck a minimum number of times according to their weight. This causes the stone to contain the same harmony as the person performing the shaping process, the harmony being one of the twelve across the twelve octaves already discussed. It is this quality which identifies individual stones in stone circles and in other geometric arrangements, and why circles contain a ring of twelve stones or a multiple of twelve, each being one of the twelve harmonies. The 'thirteenth' stone, the central obelisk, was prepared by all twelve masons, giving it the full harmony, that elusive thirteenth note in the octave. So the twelve different qualities of 'astrological' energy in the solar year give all life on Earth different definable qualities at the moment of physical conception. It is this quality which is then placed in the stone when it is 'dressed'.
Ancient sites were specifically located on nodes of strong Earth electro-magnetic energy in order to provide sufficient basic energy. To use this, it was necessary to split the two elements of each energy line, one part (with quality of five) being directed around the stone circle, while the other part (with quality of seven) was allowed to follow its natural course to the node where the central obelisk was located. This, it will be remembered, had seven bands of energy above ground. It would be a mistake to label these elements 'positive' and 'negative' as it would give them entirely the wrong meaning, but they are more akin to the positive and negative wires in an electrical circuit as their purpose was similar. They also draw a similarity with the twelve notes in the octave on the piano as seven are marked white and five are black. Male and female are all part of this positive and negative, essential elements to make the whole.
Figure 5.1 A representation of the elements of two electro-magnetic energy lines entering the circle to cross at the central obelisk. In ancient times this pattern was engraved in a stone at the ancient site. It has since been copied to form the head of a gravestone.The energy lines in the ground are used by birds for navigation, as though their bodies are following their spiritual sense. This is what these lines, or waves of energy, are for, travel; for spirits only, the speed is very high. It is the same everywhere, the Michael lines for instance. Above ground and below ground, it is all the same, a natural Earth energy, which must not be confused with the single isolated stones, away from circles, which were put in by man for other purposes. Naturally a person after death would be placed at a certain ancient site so that their spirit could go West on the current, which is why they have been confused with graves. It is also why some gravestones now have designs which used to mark the node position (see figure 5.1). Other stones have been found at ancient sites which recorded the existence of clockwise energy spirals, found at the node. This clockwise spiral of 'positive' energy is repeated in the atmosphere where air in a high pressure system rotates clockwise.
The circle of stones was the twelve of the harmony, each stone being one of the twelve having been prepared by one of the twelve masons. Their position in the circle was related to their order in the octave so that a harmony could be produced, and was determined by the key Sun and Moon positions on the horizon when related to the central stone. This was prepared by all twelve masons to have the harmony. At the right time, when the Earth electro-magnetic energy was at its peak, at the solstices, the light from the Sun together with the sound and electro-magnetic qualities at the site, created dimensional changes. Later, there was direct use of crystals at these sites but this was all wrong. They introduced the polarisation of light and caused time to be inverted, when the original purpose had been to create harmony.
The builders of these ancient sites had no difficulty in basing their geometry on the Earth's dimensions. Measurement of the circumference requires a meridian to be plotted across the landscape so that the characteristics of the Sun's shadow at noon can be ascertained. A meridian is a line established using the Sun's position at midday when it is at its highest point in the sky. It is plotted from a start point, and by observing the Sun at noon, suspending a plumb line from the Sun's position in the sky, and noting where it cuts the horizon, the direction of the line can be marked. Successive points can be recorded as you move in the direction of the line South, and it will be found that they form a straight line, a meridian. By placing a vertical rod at two different places some miles apart on this line, at midday, the length of the shadows cast by the rod can be recorded, allowing the circumference of the Earth to be calculated (see figure 5.2).
Figure 5.2 Measurement of the circumference of the Earth
In ancient times, the position of the Tropic of Cancer in the northern hemisphere would have been monitored, along with that of the Equator. The former marks the line on which the Sun can be seen vertically overhead on the Summer solstice at noon. Simultaneous marking of this point on the ground in different places would yield a line running in a true east-west direction. The Equator is a similar line, identified when the Sun is vertically overhead at noon on the equinoxes, around March 21st and September 21st. Knowledge of the geographical positions of these two lines would have allowed ancient peoples to know the angle of the axis of spin to the plane of the Earth's orbit around the Sun (see figure 5.3) and to monitor its variations.
Figure 5.3 The relationship between the Earth and the Sun at the point of the Summer Solstice (June 21st) in the Northern hemisphere. The angle between the Tropic of Cancer and the Equator is the same as the angle of tilt.
While it is clear that a meridian, the Tropics of Cancer and Capricorn, and the Equator are solar based, the existence of magnetic bearings is a completely different phenomenon. These are based on an implied magnetic field around the Earth created by the 'electricity' in the Earth's crust. The strength of this electro-magnetic field can vary during the year according to the position of the Moon and the Sun in relation to the Earth. The effect of the Moon is gravitational while that of the Sun stems from the constant flow of solar wind. But not only does the magnetic field strength vary during the solar year, at various times during man's presence on Earth, the implied position of the magnetic North pole has moved.
The concept of pole shifts is probably difficult to grasp but various findings by geologists demonstrate that not only does the implied location of the magnetic North pole move but its polarity has altered. This means that while the present direction of flow of energy is from the southern hemisphere to the northern, at various times in the past the direction of flow has been from our current north to south. These changes in direction of flow, or pole reversals, are preceded by a gradual reduction in the strength of the energy, and then followed by a gradual increase, so the reversal cannot be seen as a sudden, unexpected event. The strength is currently reducing quite markedly and this is having a profound effect on all life on the planet, particularly the human race.
Constant melting of the polar ice caps gradually increases the volume of water in the oceans to the point that the stability of the Earth's crust around the inner mantle becomes upset and, with the outside influence of increased gravitational pull from unusual alignments of the planets in our solar system, causes the outer crust to rotate. This rotation is never more than 15°.
The Earth is the powerhouse. The piezo-electricity is the basis of all of this, and we know how this is produced. This is given off into the atmosphere creating the equilibrium which we have discussed. This gives the electricity of the 'sky' as we know it. Man and all the animals of the Earth use this electricity for power. The potential difference, as it is termed, allowing the energy to flow, is between the body and the atmosphere, a very subtle balance, harmony, which creates the mood of the person. The balance and flow of this energy in all things is very important. The flow is between all things, individual animals, Earth and the atmosphere, affecting the flow within each.
The connection of the Earth, standing stones and the atmosphere helps to create this equilibrium of energies for it is a form of 'earthing' of electricity between the air and the Earth, rather like acupuncture. Air is not simply space but a mixture of gases and moisture which contains its own 'electricity' and this is why a harmony can be found in the air when the right note is found. This causes it to wobble or hum, in concert with a sacred site like Avebury. All life is part of this harmony and man's influence in it cannot be underestimated.
We now understand why earth energy was and is so important to the very existence of mankind. It is now necessary to take this understanding much further and examine the physical world.
The concept of pole shifts is probably difficult to grasp but various findings by geologists demonstrate that not only does the implied location of the magnetic North pole move but its polarity has altered. This means that while the present direction of flow of energy is from the southern hemisphere to the northern, at various times in the past the direction of flow has been from our current north to south. These changes in direction of flow, or pole reversals, are preceded by a gradual reduction in the strength of the energy, and then followed by a gradual increase, so the reversal cannot be seen as a sudden, unexpected event. The strength is currently reducing quite markedly and this is having a profound effect on all life on the planet, particularly the human race.
Constant melting of the polar ice caps gradually increases the volume of water in the oceans to the point that the stability of the Earth's crust around the inner mantle becomes upset and, with the outside influence of increased gravitational pull from unusual alignments of the planets in our solar system, causes the outer crust to rotate. This rotation is never more than 15°.
The Earth is the powerhouse. The piezo-electricity is the basis of all of this, and we know how this is produced. This is given off into the atmosphere creating the equilibrium which we have discussed. This gives the electricity of the 'sky' as we know it. Man and all the animals of the Earth use this electricity for power. The potential difference, as it is termed, allowing the energy to flow, is between the body and the atmosphere, a very subtle balance, harmony, which creates the mood of the person. The balance and flow of this energy in all things is very important. The flow is between all things, individual animals, Earth and the atmosphere, affecting the flow within each.
The connection of the Earth, standing stones and the atmosphere helps to create this equilibrium of energies for it is a form of 'earthing' of electricity between the air and the Earth, rather like acupuncture. Air is not simply space but a mixture of gases and moisture which contains its own 'electricity' and this is why a harmony can be found in the air when the right note is found. This causes it to wobble or hum, in concert with a sacred site like Avebury. All life is part of this harmony and man's influence in it cannot be underestimated.
We now understand why earth energy was and is so important to the very existence of mankind. It is now necessary to take this understanding much further and examine the physical world.
At the beginning of this Chapter mention was made of the purpose of the Great Pyramid:
‘In order to meet an objective which transcended the existence of matter . . . . ’
‘In order to meet an objective which transcended the existence of matter . . . . ’
We need to understand what this means.
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